AL DI LÀ DELLA VITA, AL DI QUA DELLA MORTE": LA CONDIZIONE POETICA DI FERNANDA ROMAGNOLI

Yannick Gouchan (1)

1 CAER - Centre Aixois d'Etudes Romanes

The article’s purpose is to draw attention on the whole poetic work of the Italian Poetess Fernanda Romagnoli, trying to focus on the different evolutions that undergo his style in three areas of analysis: a morphology of the poetic self; the existential plagues of the poetic self; a poetry in search of the absolute. The idea would be firstly, to carry out an analysis of the multiple forms of the poetic self that merge with images taken from the natural world (in the first three books essentially, since this form abruptly stops at half of Confiteor). Then, a focus on the inner “dissidio” (for example: struggle, injury, etc.), its origin, its representation, its paradoxical substance of pain/treasure, afterwards its stylistic expression (lexicon, oxymorons, and especially the recurrent use of the incise and the apposition between signs of quotation marks or dashes, and the dots which sometimes contain the word of the soul). Finally, a last part deals with the search of the divine, the impossibility of grasping it, and the resulting feeling of guilt.

Domaines: Littératures

Yannick Gouchan. AL DI LÀ DELLA VITA, AL DI QUA DELLA MORTE": LA CONDIZIONE POETICA DI FERNANDA ROMAGNOLI. Nuova Corrente, 2018. ⟨hal-02370899⟩