, Yet, we may add that if the 'postcard craze' united many Victorians and Edwardians, their choice of postcard theme is an important element to take into consideration. Some collectors were keen on Helena Maguire's 'Cat' series while others bought Empire or Empire-related postcards. The latter were numerous considering the massive production of the postcards they favoured. It is possible to imagine that they were the same people who subscribed to Boys' and Girls' Empire magazines and bought juvenile literature grounded in imperial settings for their children. Picture postcards were a cheap and popular means to reproduce and spread Orientalist and exotic scenes which for most of them were views of the British Empire. They thus shaped the British mindset and were therefore tokens of a Victorian and Edwardian fashion for the Empire as proved by the popularity of the 'relief of Mafeking' picture postcard. It showed a drawing of Colonel Baden-Powell, On the other hand, we may infer that, if these objects were fashionable, the public would seek them and thus would, willingly or not, participate in the propagation of a fashionable idea, 2000.
Picture Postcards and their Publishers, 1978. ,
Letters from Cannes and Nice 1856-1857, 1857. ,
, , 1990.
Review of: The Absent-Minded Imperialists: What the British Really Thought About Empire', Victorian Studies, vol.47, issue.4, pp.626-654, 2017. ,
Ornamentalism: How the British Saw their Empire. London: Penguin Books, 2001. ,
The Dictionary of Picture Postcards in Britain 1894-1939, pp.270-73, 1984. ,
La Carte Postale, reine du jour'. Le Monde Illustré, pp.21-34, 1901. ,
Consuming Passions, 2007. ,
Bizarre Best Wishes: The Weird and Wonderful World of Victorian Christmas Cards, vol.12, 2016. ,
Picture Postcards of the Golden Age: A Collector's Guide. London: MacGibbon & Kee, 1971. ,
HUGGAN, Graham. The Post-colonial Exotic. Marketing the Margins, pp.1830-1870, 1963. ,
Linguistic Landscapes on Postcards, 2010. ,
Propaganda and Empire: The Manipulation of British Public Opinion, 1984. ,
Imperialism and Popular Culture, 1986. ,
, History, Theory and the Arts. Manchester: Manchester UP, 1995.
Etude des cartes postales des Antilles françaises et de la Guyane des années 1900-1920'. The French Review, vol.80, pp.372-82, 2006. ,
What Is an Image? Author(s)', New Literary History, vol.15, issue.3 ,
, Image/Imago/Imagination (Spring, pp.503-540, 1984.
What do Pictures Want? The Lives and Loves of Images, 2005. ,
Atelier de voyage, les peintres en Orient au XIXe siècle, Gallimard, 1995. ,
The Absent-Minded Imperialists. Empire, Society, and Culture in Britain, 2004. ,
Picturing Empire Photography and the Visualization of the British Empire. London: Reaktion books, 1997. ,
Cartes Postales Representing Paris, Critical Inquiry, vol.18, pp.188-244, 1900. ,
MacKenzie-ites without Borders: Or how a set of concepts, ideas and methods went global ,
The Absent-Minded Imperialists: What the British Really Thought about Empire, 2004. ,
, The Picture Postcards of Raphael Tuck & Sons. Colchester: IPM, nd. SYMONDS, Richard. Oxford and the Empire: The Last Lost Cause? Oxford: OUP, 1991.
, , 2014.