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Amor maldito, motor da poesia: a Provença e a modernidade

Abstract : It is the composition of the troubadours’ lives that confers to the Grand Chant a Romanesque and fictional dimension that allowed the construction of “damned” figures such as Jaufre Rudel, Bertrand de Born, Guillem de Berguedan, Folquet de Marseille, Rai- mon Jordan... From the love sung by the trobar, its destructive opposite is born -- melan- choly, resulting from the lady’s absence, awaits the minstrel, waiving at him the risk of no longer composing. Such reflection will lead authors as Ezra Pound, Haroldo and Augusto de Campos, to recognize in the Provence of the th-th centuries the original place, the topos outopos of poetry.
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Contributor : Francesca Manzari <>
Submitted on : Wednesday, May 2, 2018 - 10:57:09 AM
Last modification on : Thursday, April 11, 2019 - 5:10:04 PM
Long-term archiving on: : Tuesday, September 25, 2018 - 3:12:31 AM

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Francesca Manzari. Amor maldito, motor da poesia: a Provença e a modernidade. Teresa. Revista de literatura brasileira, Literatura Brasileira da Faculdade de Filosofia - Universidade de Sao Paolo, In press, Malditos nos Trópicos. ⟨hal-01781256⟩

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